12月7日，2011深证喷鼻港修建\都会双城双年展将在深圳揭幕。插抄本次展览外围展的作品名单正式宣布。

 

1、来自风车王国 -荷兰的绿色飞毯

地点：深圳市南山区益田假日广场西下沉广场

时候：2012年1月7日-2012年2月10日

展览策划：Studio ID Eddy and HUNK-design

展览主理：深圳都会\修建双年展构造委员会

展览支持：荷兰王国驻广州领事馆

The Flying Grass Carpet

Venue: west square，Yitian Holiday Plaza, Nanshan District, Shenzhen

Duration: Jan. 7th, 2011 –Feb. 10th, 2012

Organize：Shenzhen Biennale of Urbanism\Architecture Organizer Committee

Sponsor： Consulate-General of the Kingdom of the Netherlands in Guangzhou

乘上会飞的绿毯， 一起探险，一起寻觅都会繁忙糊口中的久背闲暇. 来自荷兰的HUNKdesign和IDEddy为您显现绿色飞毯： 一个可以简略打包便行走在都会间的便当公园，一种环球共享的独一无二的欢愉轻松。

绿色飞毯的创意来自陈腐的波斯地毯。

按照图案的构成，它由相应质感的人工制草坪拼接而成。无邪的计划使得这块巨大年夜的绿色飞毯可以在任那边所快速展展。我们计划的飞毯尺寸，从宽18米长22米到宽25米长36米不等。

当绿色飞毯进进我们的糊口，它是各种场合的抱负选择。正如我们印象中的公园，游人们可以躺在草坪上憩息，朋友们可以相互邀约来踢球，不外绿色飞毯还供应了更多的选择：飞盘锦标，都会野餐，和各种百般的比赛，展现和演出活动。

现在，天下上每个都会中心都被快速的私有化，大众地区正在压力中艰巨的保存，环境质量每况愈下。

来自荷兰的绿色飞毯将给都会居夷易近带来一个极新的空间，一块“飞”来既成的绿地，一片高楼大年夜厦裂痕间的绿色恬逸，一种不成抗拒的闲适享受。

Hop on board the Flying Grass Carpet and join it in its quest for adventure and urban leisure. Studio ID Eddy and HUNK-design have designed the Flying Grass Carpet; it’s an instant park that can be unfolded in any city. This way bringing a unique experience of fun and relaxation that can be shared worldwide.

The Flying Grass Carpet is designed to look like an immense Persian rug with its pattern executed in different types of artificial grass, giving it a typical look and touch. The design consists of different parts that can be adjusted to any location. The size of the Flying Grass Carpet can be altered from 18 by 22 meters to 25 by 36 meters.

When landed in a city the Flying Grass Carpet is ideal for all kinds of events. Its attractive appearance is also perfect for special events such as a city picnic and all sorts of contests and performances.

The Flying Grass Carpet delivers a beautiful alternative for city dwellers to enjoy the city. It brings instant cosines and a green leisure feeling to any city where it lands. The combination of green, beauty and activity makes the Flying Grass Carpet irresistible!

 

2、回看与前瞻——深圳市大众艺术中心（深圳雕塑院）二十年

地点：深圳市福田区上梅林中康路8号雕塑院A座一层-深圳市大众艺术中心当代艺术馆

时候：2011年12月15日-2012年1月16日

主理：深圳市大众艺术中心

总策划：黄伟文

学术主持：孙振华

策展人：戴耘

Reviewing the Past and Envisioning the Future: 20 Years of Shenzhen Public Art Center (Shenzhen Sculpture Academy)

Venue: Contemporary Art Gallery of Shenzhen Public Art Center,

the first floor，Block A , Shenzhen Sculpture Academy, No.8 Zhongkang Rd, Shangmeilin, Futian District, Shenzhen

Duration: Dec.15th, 2011 – Jan. 16th, 2012

Organizer: Shenzhen Public Art Center

Chief Director: Huang Weiwen

Artistic Director: Sun Zhenhua

Curator: Dai Yun

深圳市大众艺术中心（深圳雕塑院）为深圳市打算和国土资本委员会直属奇迹单位,建立于1991年，其前身为深圳市都会雕塑领导小组办公室，建立于1982年。深圳雕塑院于2009年3月17日，正式改名为“深圳市大众艺术中心（深圳雕塑院）”，是海内第一家以“大众艺术”定名的国度奇迹单位，职责是承担都会大众空间艺术的研讨、策划和推行事情；展开大众空间艺术（都会雕塑）的创作事情，承担当局相干部门拜托的其他项目，如大众艺术轨制的调研事情和大年夜型大众艺术活动的构造事情。

深圳市大众艺术中心（深圳雕塑院）从建立之初到当天整整走过了二十年的时候，这是一个不短的时候，我们感觉有须要对深圳市大众艺术中心（深圳雕塑院）这些年的事情举行梳理、研讨、切磋、展现，并呈献给大年夜家与诸位交换，以期获得业界的存眷。

Shenzhen Public Art Center, formerly known as Shenzhen Sculpture Academy, was established in 1991 as a directly affiliated undertaking institution under Shenzhen Urban Planning and Land Resources Committee, which was originally an office of Shenzhen Urban Sculpture established in 1982. Shenzhen Sculpture Academy was officially renamed as Shenzhen Public Art Center at 17th March, 2009, which is the first undertaking institution with “Public Art” in the title and which carry out the following responsibilities: researching, planning and promoting the urban public space art; creating public space arts (urban sculptures); carrying out other projects committed by Shenzhen government, such as researching on public art system and organizing big events on public art.

Two decades since the establishment of Shenzhen Public Art Center (Shenzhen Sculpture Academy), which is not a short period of time. It is necessary for us to summarize, research, discuss and present the works of Shenzhen Public Art Center (Shenzhen Sculpture Academy) during the 20 years and to show them on an exhibition for more discussion and attention from the public.

 

3、前海事情坊

地点：深圳华侨城北区B10展厅

时候：2011年12月8日 – 2012年2月18日

主理：深圳市打算和国土资本委员会都会计划处

策划：深圳市打算和国土资本委员会都会计划处，深圳市都会实践修建计划

QianHai Workshop

Venue:  B-10, OCT

Duration: Dec. 8th, 2011 – Feb. 18th, 2012

Organizer: Urban Planning, Land & Resources Commission of Shenzhen Municipality Urban Design Division
 
Curator:  Urban Planning, Land & Resources Commission of Shenzhen Municipality Urban Design Division, Shenzhen Urbanus Architecture and Design

本次展览主题是切磋深圳前海地区的发展。在2011年5月，规土委策划了‘前海-将来都会形态的庞杂性与抵触性研讨’，并约请多家国表里不合特长的计划与打算单位为前海这片属于将来的地盘出谋划策。是次展览的首要内容除展现事情坊及计划比赛的功效外，我们更希看能打造一个向公家开放的平台。我们希看公家能在本次展览中，积极颁发本身的定见，为我们的将来共同制定目标。

故此，‘前海’展览夸大年夜介入性。我们将会供应多个大众互动装配，令共众透过投票，游戏及涂画等肢体体验，向我们诉说大年夜家的定见；并与此同时，获得我们对前海研讨的知识。

This exhibition aims at discussing the development direction of the Qianhai District in Shenzhen. In May 2011, Urban Planning, Land and Resources Commission of Shenzhen Municipality organized the workshop, ‘The complexity and Contradiction of Future City Urban Form’, and invited many international and national design and planning experts to contribute their ideas about the Qianhai development. Other than showing outcomes of the workshop and previous international design competition, the exhibition also creates an open platform for the public to engage. We wish to include the voice of the public, so that we can project the future of our city together.

Thus, the exhibition emphasizes public general participation. We will provide many public interaction installations, so that people can voice out their comments through voting, playing games and drawing. At the same time, they can receive information and knowledge about the development.

 

4、都会山林（此项目已并进主展）

地点：深圳市夷易近广园地下展场C 区南部下沉花圃

时候：2011 年12 月8 日-2012 年2 月18 日

策划：上海魔力方新型房屋有限公司+UAO Creations

The BLOX (BOX+BLOCK)

Venue：Zone C South Garden, Shenzhen Civic Square

Date：December 8th, 2011- Feburary 18th, 2012

Curator：M3house Ltd.co. + UAO Creations

都会山林最初是用来形容镶嵌在高密度姑苏城内的私故里林。以当代角度往看，可以激发其他思虑。好比，私家空间如何和谐大众空间，修建手腕如何办理社会问题，空间密度如何影响空间质量，传统文脉如何应对当代尺度，人居微环境如何构成都会的永续体系，抱负主义如何实践于实际主义当中。”魔立方”是可以久长制作在非扶植用地之上的一时修建。将”魔立方”植进到都会大众空间中，室内按尺度住户建设—-这给都会供应了一种新的大概性。

BLOX reflects the Chinese Ancient idea of self-sustained settlements embedded in a city. From the modern point of view, it could evoke more: how to reconcile the private space and public space; how to solve social problems with spatial means; how to re-build spatial qualities adapted to built densities; how to continue the tradition in the context of modern scale; how to adapt a micro-environment to an urban eco-infrastructure; and how to build up idealism through dirty reality. BLOX is a form of “temporary architecture”, which is allowed to be built on non-construction land. It could be implanted into the urban public space, with the interior decorated with a family room layout. It is an innovative and powerful method for inventing urbanity.

 

5、客堂文化

地点：深圳蛇口安适空间画廊

时候：2011年12月10日-2011年12月30日

主理：清华大年夜学《住区》杂志

策展人：戴静、李文海

Living-room Culture

Venue: Zai Gallery, Shekou, Shenzhen

Duration: Dec.10th, 2011—Dec. 30Th, 2011

Organizer: Community Design Magazine of Tsinghua University

Curator: DAI Jing &LI Wenhai

“客堂文化”展览从客堂文化进手，考查我们平常栖身空间的演变，人与空间的互动，当下糊口的自动性和被动性，社会文化背景和客堂之间的干系。

展览由三个部门构成

1、三位拍照师眼中的中国客堂

2、客堂文化的多元表达

3、客堂文化《住区》视觉

Using living-room as a cultural set, the exhibition presents the transition of our living space, the interaction between people and living-room, the connections between social-cultural contexts and living-room. Bringing a space from our daily life under social, cultural and historical scrutinity, this is the motif and purpose.

With texts, photos and a variety of art works, the exhibition presents the motif with three components:

1\Chinese Living-room in the eyes of three photographers

2\Graphic design on living-room culture

3\Community Design perspective on living-room culture

 

6、“寻觅深圳”功效展：深圳不是番茄田

地点：市夷易近中心多功效厅东侧展厅

时候：2012年1月8日－2012年2月18日

策划及主理：RIPTIDE 创意集合

Coaster Raid – Shenzhen is not Tomato Field

Venue: East of Multifunctional Hall, Civil Center

Time:8th Jan – 18th Feb,2012

Curator and Organizer: RIPTIDE

很长时候里，深圳都被觉得是一个没有传统的都会，触手向四周舒展，路网无远弗届。这是一个高速运转而能量连续涌出、赓续变动的处所。
“寻觅深圳”是一场由九位（组）不合范畴的艺术事情者，知识分子，和创意人士环绕一个地区举行摸索，交换和以该地区为主题完成一项作品的都会创意摸索活动。我们希看经由过程这个活动可让我们这些栖身和事情在深圳的人，可以用本身的设法来定义、或是重新核阅这座都会。活动包含一个为期两天的的事情营，由这九位（组）人士对目标地区举行自由摸索、与本地居夷易近交换，此中有一个晚上与其他介入者举行思惟交换、创意碰撞。然后介入者将有一个多月的时候举行独立创作，末了我们会将九部作品荟集起来，举行一个大年夜型的宣布会向公家展现，并期看与公家睁开更多的会商。

过往一年多的时候里，“寻觅深圳”走过罗湖东门，福田梅林，南山南头，宝安西乡和梧桐山片区，诚邀您介入展览，一起发明深圳。

For many years people have not thought of Shenzhen as being a city with traditions, but rather as a city expanding in all directions, a city at the intersection of an endless network of roads. This is a place where rapid transformation has been maintained for years; the city continuously changes.

¨Coaster Raid¨ brings together nine artists, intellectuals, and creative designers (or groups) to explore, discuss and ultimately produce a piece of work about a place in the city. We hope that through this process, those of us who live and work in Shenzhen can define and re-evaluate the city in our own terms.

An exploration consists of a two day workshop, a creative period, and a presentation of the works to a local audience. During the workshop, the nine participants explore an area and speak with local residents. In the evening, there is a dedicated time to the exchange ideas and creative brainstorming. Following the workshop is the creative period. During this time, participants will have a month to create an original work. Finally, these works are presented to a local audience to encourage deeper conversation and debate about the meaning of the city.

In the past year, ¨Coaster Raid¨ discovered Dongmen, Meilin, Nantou, Xixiang and Wutong Mountain. We would like to invite you to explore these places of Shenzhen with us in this exhibition.

 

7、凝听恩宁

结合主理：学而优书店

展期：2011年12月8日至2012年1月8日

地点：广州海珠区新港西路学而优书店三楼咖啡厅与四楼多功效演讲厅

项目团队:（排名不分前后）

邢晓雯、钟伟君、吴伟鹏、吴元儿、王文、李本立、林常荣、李雪、赵斯羽、陈旭路、熊毓麟、姜超、刘珺、刘超群等

Listen with respect: Downtown En Ning

Co-organizer:Xooyo Book Store (venue support)

Duration：Dec. 8th, 2011 – Jan. 8th, 2012

Venue: Cafe, 3rd Floor & Lecture Hall, 4th Floor,  Xooyo Book Store, West  Xin’gang Rd. Haizhu Dis. Guangzhou

Project Team：XING Xiaowen, ZHONG Weijun, WU Weipeng, WU Yuan’er, WANG Wen, LI Liben, LIN Changrong, LI Xue, ZHAO Siyu, CHEN Xulu, XIONG Yulin, JIANG Chao, LIU Jun, LIU Chaoqun

恩宁路——废墟上的圆桌集会

恩宁路是广州的一处老城区，也是广州第一个旧城改革项目。但是恩宁路打算自2006年至今，已四易其稿，因为拆迁合法性、文化汗青保重、居夷易近安设等存在一些不完善处，恩宁路学术存眷组举行了一年半的研讨。

此展览将显现与恩宁路变迁相干的不合角色者的声音和处境，展现他们各有的盲目、无奈与无助的地方。在废墟上设圆桌，我们几方代表坐下来，为的不是批评相互或是悲情怀旧，而是希看反思我们所共处的期间，并寻求如安在实际束缚之下实现多元均衡的都会打算。

Enning Road

A Round-table Conference in the Ruins

As one district of the old city, Enning Road is the first refurbishment program of Canton.Since 2006, the city plan of it had been changed for four times and haven’t finished yet. There are some discuss about the legality of removing, the protection of the culture and rehouse the residents. We Enning Road Concerning Group have been studied such topics for one year and a half.

We will exhibit the different roles who connecting to Enning Road. Their aimless, helpless will be revealed. Instead of just criticizing or sink into the memory of past times, we will sit down at the round table in the ruins to think of our age, to bring about a solution of mutiple balance city planning.

 

8、“时候的意义”主题图片展

陈列所地：中心书城二楼中庭

展出时候：2011年12月11—25日

策展人：高海燕

展览主理：深圳市都会都会研讨院

The Meaning of Time: Theme Picture Exhibition

Venue:  Courtyard of second floor in Central Book mall

Time: December 11th-25th, 2011

Organizer:  Urban Research Institute of Shenzhen

Curator: Gao Haiyan

都会的最终意义是创作发明时候代价。

都会的发展和创作发明过程就是赓续付与时候更雄厚的代价。我们要寻觅的恰是这类共性或差别性。展览将经由过程天下大年夜都会糊口场景图片和以岗厦为例的都会创作发实际践案例展现，解读一座都会的宿世此生和将来，切磋深圳创作发明国际大年夜都会的糊口模式路径，寻觅深圳在国际化中的都会坐标。

The growth and the creative process of the city are enriching the value of time constantly, and what we are looking for are such general characters or differentiations. Through displaying pictures of metropolitan life and taking Gangxia’s cases of creating practices for example, the exhibition is to unscramble a city’s atonetime, present life, to discuss the path of creating metropolitan life-mode of Shenzhen, as well as searching for the locations of Shenzhen in internationalization.

 

9、展览名称：幸福·造物  幸福·十年

陈列所地：深圳市市夷易近中心

展出时候：2011.12.8——2012.2.18

展览策划：米丘当代艺术事情室

Eudemonic· Genesis   Eudemonic · Decade

Venue: Shenzhen Civic Center

Time:8.12.2011——18.2.2012

Curator: Mi Qiu Modern Art Workshop

米丘修建及艺术的十年总结作品之二。本次创作“十年之一”是米丘将其以往作品的一次阶段性鉴定。舍弃及畅通领悟，产生一种新的大概性。“羽翼人”形象开端于2000年，经历十年时候新的计划开端启动。将典范形象举行排序后重新创作，颠覆曾建立的对“幸福－保存”的以往观点，统统都是更新。米丘花了十年时候重新思虑这一命题，乃至经由过程建立主题杂志来频频论证，从平面到空间，连续的实践对“幸福－保存”的非典范性汇集事情。今日所见，米丘艺术创作十年之一斑。

It is the second of the works that summarize Mi Qiu’s architecture and art for ten years. The “Ten Years” created this time is a phased judgment of Mi Qiu’s previous works. They are either rejected or incorporated to produce a new possibility. The identity of “feathered man” began in 2000. After ten years, a new program starts. Typical identifies are sequenced before they are re-created. The previous ideas of “happiness-survival” are overthrown. Everything is updated. It took Mi Qiu ten years to re-think about this subject. He even demonstrated it repetitively by establishing a themed magazine. From plan to space, he practiced non-typical collection of “happiness-survival” on a continuous basis.

We can get some inkling of Mi Qiu’s artistic creation for ten years from what we see today.

 

10、混凝土的大概

地点：深圳市盐田区万科中心

时候：2011.12.9——2012.1.9

策划：朗图——里外团队

主理：万科团体修建研讨中心、柠檬传媒——《里外》杂志

承办：深圳市大众艺术中心

Concrete & Possibility

Venue: Shenzhen Vanke Center

Duration: Dec. 9th, 2011 – Jan. 9th, 2012

Curator: IN·OUT GROUP, RITO

Organizer: Vanke Construction Research Center , IN·OUT, Magazine

Undertaker: Shenzhen Public Art Center

万科作为天下室第财产化的领跑者，一向致力于可连续发展理念的产品研发和深进实践。由万科团体修建研讨中心和柠檬传媒——《里外》杂志共同发起的“混凝土的大概”计划打算，拟为计划师供应充分的创作平台，发掘清水混凝土的N种大概，展现修建、艺术、人群与社会的全新干系。

此打算将连续约请修建、室内、产品、平面等范畴具影响力的计划师介入，寄看多角度的思虑和实践创作发明更多的大概。

As the pacemaker in the process of residential industrialization, Vanke always keeps contributing strength to research and develop sustainable products and ideas. Possibilities of Concrete, which is planned by Vanke and INOUT magazine of Lemon Media, offers chances to designers to show their talents. The design event encourages designers to explore different and amazing possibilities of using concrete. Their excellent creations with concrete give us a fresh view of the connection of architecture, art, people and society.

The design event will keep inviting known designers from the areas of architecture, interior design, products design and graphic design. With all their wisdom, the design event will achieve more ideas and more creations.

 

11、珠三角都会化形体研讨

地点：华侨城生态广场A座首层

时候：2011.12.08 – 2012.02.18

策划：吴林寿， 赵向莹

主理：深圳市原点上修建计划有限公司

Deterritorialization & Emerging Centralities for PRD

Venues: A Building, OCT Ecology Plaza, Nanshan District, Shenzhen

Duration: Dec. 8th, 2011 – Feb. 8th, 2012

Curator:  Linshou WU & Xiangying Zhao

Organizer: WAU Studio

传统街道作为都会的首要来往空间在灵活化及都会化中被宣判死往，街道变成纯洁的交通空间；另外一方面进进快速交通体系的点成为都会舒展过程中的中心性点，大年夜量社会来往被极化在这些中心点上，比方大年夜型购物中心，凸显中心性成为传统来往空间的形态。珠三角都会，特别是广州及深圳，该特色尤其凸显。

隐喻上，场合之城（中心性场合）像一个充满朝气的绿洲漂泊于接洽之城（快速交通空间）。本展览试图经由过程一个装配及影象切磋珠三角都会化模式：一个都会舒展及社会来往空间极化并存景象形象，让不雅众体验及反思当前都会模式。

Traditionally the streets as the city’s main communication space has been sentenced to death in motorization and urbanization, the streets became pure traffic infrastructure; The urban is sprawling, the strategy points that benefit the system of fast track become the new centrality, the social interactions and activities are polarized in those emerging centralities, they are the substitute of traditional communication places. The Pearl River Delta city, especially Guangzhou and Shenzhen, the feature is highlighted particularly.

Metaphorically, La Ville des Lieux (centrality) acting like a vitality oasis floating in La Ville des Liens (Deterritoriazation). This exhibition attempts to use an installation and a 3’ movie to probe into the Pearl River Delta urbanization model: a scene of a city spread and social intercourse space polarization coexists, let the audience experience and introspection on the current city mode.

 

12、《生态乌托邦》 都会计划 & 装配艺术 – 野城小我作品展

地点：深圳市华侨城生态广场A座101

时候：2011年12月8日 至 2012年2月18日

策划：野城

ECOTOPIA: Urban Design & Art Work – Personal Exhibition of YE Cheng

Venues： 101, Unit A, Shenzhen OCT Ecological Square,

Duration: Dec. 8th, 2011 – Feb. 18th, 2012

Curator：YE Cheng

生态修建，一种医治性修建

生态修建的本质是医治性,如统一种活的机器。作为都会生态体系的首要环节，被植进都会内部，犹如给抱病的躯体替换新的人造器官。“生态乌托邦”把生态农业作为一种医治方式引进都会内部，生态农业体系作为一个修复性环节被植进都会生态体系，并利用生态技术加快体系的轮回再生，修复掉衡的生态体系。

都会农夷易近，社会布局重组

该修复体系由一系列垂直农场构成，并在空中相互连接构成生态群落，完善了都会生物链和食物供应轮回。一个新的社会阶层“都会农夷易近”由此产生。部门社区居夷易近被约请成为都会农夷易近卖力农业出产，节制食物质量，并经由过程“都会农业社区团体全部制”这一新的花费配给轨制举行社区内相对独立而自给自足的出产管理和分派。

公夷易近化社会

“生态乌托邦”旨在降落贫富差距，减少人的隔阂，促进居夷易近的交换，付与市夷易近更多社会介入权，促进夷易近主化鼎新。这也供应了一条制止老社区大年夜面积裁撤搬家的新途径。

Eco-architecture,a curative architecture

The eco-architectures should be curative, a kind of living machine. As an important link of urban ecosystem, they will be inserted into cities, as if transplanting new artificial organs to a withering ill body. ECOTOPIA brings the eco-agriculture into the city as a treatment measure, in another words, to insert the eco-agricultural system into the urban ecosystem as a restoration therapy in order to accelerate the system’s recycling and regeneration with the help of eco-technologies so as to restore the unbalanced ecosystem.

Urban farmer, restructure of society frame

This restoration system consists of a series of sky-farms which are not isolated from each other but are *** up an “eco-tribe” which perfects the urban biological chain and supplying predominant food. It results in new social type called “Urban farmer”. The community residents can employ a certain number of “Urban farmers”. A new rationing and consumption system will come into being based on the eco-community – “The collective ownership of the urban agricultural community”, producing independently and self-sufficiently in the community. Indeed, the community residents must assume their responsibility for the agricultural product quality, attaching great importance to its supervision and management.

Civil Society

ECOTOPIA aims to narrow the gap between rich and poor, eliminates the segregation between people, enhances the exchange and understanding among the residents, endows the citizens with more participation rights and thus promotes the democratization reform. It is a reform to the existing mode of urban communities as well as a new approach to revamp the community without large-scale building demolition and resident moving.

 

13、都会·人·天然：红树林生态艺术节

地点：红树林深圳湾公园

时候：2011年12月8日 – 2012年2月10日

City, People, Nature: Mangrove Eco-Arts Festival

Venue: Shenzhen Bay Park, Mangrove

契合本届深港双城双年展主题精力举行的双年展外围展暨红树林生态艺术节，是一场承载环保理念与人文关怀的生态展现嘉会。该展览以“都会·人·天然”为主题，以生态艺术品展现与理念传播为首要情势，安身于加强对深圳本土都会生态问题的研讨和会商，连续和强化“都会创作发明”这一主题标的目标，提炼出一种慢糊口的糊口体例，连续创作发明绿色的生态故里。

The Mangrove Eco-Arts Festival is a carrying environmentally friendly and humane care of the eco-show event. The exhibition take “City ·People·Nature” as the theme, the main form is eco-art show and concept spread, based on strengthening the city of Shenzhen, the local ecological problems of research and discussion, continuation and strengthening of ” City create” direction, extract a kind of slow living lifestyle, continuing to create a green eco-homes.

 

14、来日诰日，谁说了算？——第六期OCAT国际艺术事情室报告叨教展

地点：深圳南山区华侨城创意园北区B10栋内一楼东北侧展厅

时候：2011年11月11日-2012年1月8日

策划：Paula Orrell（英国）

主理：何喷鼻凝美术馆OCT当代艺术中心

Future Relevance:  The 6th OCAT International Art Residency

Venue: Northeast of B10, Northern OCT-LOFT, Overseas Chinese Town, Nanshan District, Shenzhen, China

Duration: Nov. 11th, 2011 – Jan. 8th, 2012

Curator: Paula Orrell (UK )

Organizer: OCT Contemporary Art Terminal of He Xiangning Art Museum

《来日诰日，谁说了算？》是第六期OCAT国际艺术事情室交换打算的报告叨教展，本期交换打算约请了来自德国的Thomas Adebahr，来自荷兰的Frank Havermans，来自斯洛文尼亚的艺术家组合Nika Oblak & Primoz Novak，和来自英国的策划人Paula Orrell。

当代艺术雄厚了这个天下，同时也在赓续拜望着这个天下。艺术家们经由过程不雅察和研讨，来探查实际、想象中的高低语境和汗青遗存。

这个展览提出了如许的问题：假定我们要一起谈当代艺术的国际将来，那么我们必需扶植甚么样的前提才可以或许跨过不合文化和汗青的差别？

‘Future Relevance’ is an exhibition of four international artists from Europe. The Sixth OCAT International Residency Programme has selected artists Thomas Adebahr (DE), Frank Havermans (NL) and Nika Oblak & Primoz Novak (SI) and curator Paula Orrell (UK). This exhibition includes the residual ideas developed on the residency.

Contemporary art now illuminates the present and explores the world around us. Through observation, research and process, the artists consider context and histories, both real and imagined.

The exhibition title ‘Future Relevance’ explores the potential, to look to the past to inform the future, understanding what are the conditions we need to establish to have a global discussion about the future of contemporary art.

15、展览名称：艺穗x修建：艺术创作发明

陈列所地：深圳市南山区后海滨路海德二道交壤东端（后海滨路以东，地铁二号蛇口线后海站A出口处空置草地）

展出时候：2011年12月8日至2012年1月8日

展览策划：朱德才、白小刺、陈伟航、莫舒敏

展览主理：深圳湾国际艺穗节组委会

展览协办：深圳不雅筑修建发展交换中心、深圳胖鸟剧团

Fringe x Architecture (Art creates urbanism. Urbanism creates art.)

Exhibition Site: The east side of Hou Hai Bin road

(Take the Metro Line 2 “Shekou Line” to HouHai Station, Exit A

Exhibition Period：from Dec 8th, 2011 to Jan 8th, 2012

Project Curators: Eric ZHU, BAI Xiaoci, CHEN Weihang, Carol MOK

Organizer: Shenzhen International Fringe Festival Organizing Committee

Co-organizers: Shenzhen ATU Architectural Development Communication Center, Shenzhen Fatbird Theater

由深圳湾国际艺穗节组委会、深圳不雅筑修建发展交换中心、深圳胖鸟剧团共同互助,借助修建 空间装配的创意和实践,为一系列艺术演出及文化交换活动度身创作发明一时大众空间,同时,这 些文化活动以空间活动演出艺术、都会空间摸索、都会综合用处开辟、绿色低碳出行、公家建 筑教导等多种元夙来激起都会空间的活气和大众功效,构成艺术与修建共生互创的都会空间舞 台,鞭策都会空间和大众艺术的摸索与实践,为深圳都会文化扶植注进新的活气。

Co-organized by Shenzhen International Fringe Festival Organizing Committee, Shenzhen ATU Architectural Development Communication Center, and Shenzhen Fatbird Theater, this project is to explore the relationship between public art and urbanism.

A temporary pavilion installation is created to function as public space for art performances and various educational public events, as well as experiments on urban planting, urban transport and mobile performing art. All these activities further activate the vitality and social function of the public space. Under the city urbanization context, public art is like intangible weapons to inspire the city and boost sustainable development, while architecture often facilitates as tangible weapons to build up the city and the urban culture. It would be an inspiring social practice about public art and urbanism in such a rapidly urbanizing city like Shenzhen.

This project is also one of the Special Project of 2011 Shenzhen International Fringe Festival.

 

16、太空船之心——让全部人经历由小到大年夜的美好路程

地点：深圳市南山区益田假日广场B2层2号中庭

时候：2011年12月30日-2012年1月30日

策划： Noa Haim/ 集纸美学

Spaceship Heart ——Experiencing S,M,L,XL for all

Venues: 2 atrium B2 Floor, Yitian Plaza Holiday, Nanshan District, Shenzhen

Duration: 30th December, 2011 –30th January, 2012

Curator: Noa Haim/ Collective Paper Aesthetics

集纸美学在模型计划中得以展现。作品作为一个框架，表现了荷兰的修建观点。该项目特别为2008伦敦修建节安设，并今后开端了集纸美学的路程。

颠末对物体，空间，和履历的一系列摸索，集纸美学重新载上巴克敏斯特·富勒澳克太特桁架专利（也就是Tetraphedron是指以天然为面的四个立方面，也就是如金字塔般的立方体；Octet Truss是Tetraphedron的繁衍体，可构成更有力的构造架构），并且与天下游戏的观点相畅通领悟。

深圳喷鼻港都会\修建双城双年展中，集纸美学将会向全部人展现最新作品，名为：太空船之心-让全部人经历由小到大年夜的美好路程。

这个艺术作品可以帮我们办理疑惑，我们如何才干共同制作一个使每小我都由衷的酷爱的处所呢？

双年展期间，参不雅者可以用纸板模块来构建一个属于他的太空船之心。

每个安装的部件都包含8个类似的面，每个面都代表一个假定的复合型利用布局的项目。

在这里表现出的最终功效将是一个有标记性的心形，一个自创的布局，一个让人们由衷酷爱的处所。

Collective Paper Aesthetics is a play in design models. The work is expressing the Dutch notion of architecture as a framework. The project Initiated in a site specific installation made for London Festival of Architecture 2008. Through a series of explorations in objects, space and experience Collective Paper Aesthetics are reloading Buckminster Fuller octet truss patent to be merged with the idea of the world game.

At shenzhen & hong kong bi-city biennale of urbanism \ architecture, Collective Paper Aesthetics will present a new work titled: Spaceship Heart – Experiencing S,M,L,XL for all.

The work is examining the question how can we make together a place people truly loves?

During the biennale, visitors in the exhibition will construct Spaceship Heart, using modular cardboard building block.

Each element in the installation consists of eight similar faces. Each face is representing a program in hypothetically mixed-use structure.

The end result will embody, apart from the symbolic heart shape a self-planned programmatic organization for a new place people truly loves.